Arthur Streeton Paintings For Sale – Delve into the art and life of Arthur Streeton. Join our curators on an audio tour, access exhibition signage or watch the newly released documentary to find out why Streeton’s paintings captured an important moment in Australian history.
Arthur Streeton’s remarkable memories of light, land and sea are among the most revered and popular paintings in Australian art. His sunny Impressionist landscapes of the 1880s, cheerful depictions of Sydney’s beaches and harbors in the 1890s and sweeping pastoral scenes of the 1920s and 1930s continue to shape the image of our unique environment for many Australians.
Arthur Streeton Paintings For Sale
Presents these much-loved paintings while enriching the narrative with an extensive body of work drawn from Streeton’s 25 years of painting internationally in Egypt, England, Italy and the battlefields of World War I France.
Sir Arthur Ernest Streeton (1867 1943)
Streeton’s deep concern for the preservation of our natural environment in the last two decades of his life is directly expressed in paintings that mourn the cutting down of old-growth forests. Almost a century later, we are still grappling with the same conservation issues.
This is Streeton’s first retrospective in 25 years and the most comprehensive since his 1931 survey at the Art Gallery of NSW.
It presents over 150 works from 42 public and private collections, some of which have not been exhibited for over a century.
Streeton’s exhibition is now available online as an immersive 360-degree experience that can be accessed anywhere, anytime.
Important Australian Art
Curators Wayne Tunnicliffe, Deborah Mimmocchi, Hannah Hutchinson and Nick Yelverton discuss Streeton’s major artworks in this described audio, featuring Toubears’ inscription on the verso: “Out of the purple mountains / get their waters” / Arthur Streeton / The property of…
Lawsons, Sydney, 19 June 1984, lot 104 (“Out of the Purple Mountains It Gets Its Waters (Creek from Purple Hill)”)
“Arthur Streeton did for Australia what … Constable did for England, Claude for Italy, Daubigny and Corot for France. He fixed the character of our landscape forever … I attribute it to his skill in light painting and his perfect sense of painting. colour, always right to the mood of the hour.
Published in 1931 to celebrate the art of Arthur Streeton. In the same year, Streeton, then in his sixties and widely celebrated as one of Australia’s finest painters, was honored with a retrospective exhibition at the National Art Gallery of New South Wales, the first Australian artist to be so recognized in his lifetime. A few years later he received the highest honor of the day when he was knighted for services to art in 1937.
An Impression From The Deep Painting
As a young man in the 1880s and 1890s, Streeton, along with his friends Tom Roberts, Charles Conder and Frederick McCubbin, changed the image of the Australian landscape. Abandoning traditional academic techniques and rules of representation, these so-called Australian Impressionists instead emphasized the naturalistic effects of light and color, often painting plein air and creating atmospheric, painterly “impressions” of their subjects.
In particular, Streeton came to be associated with images that cast the Australian countryside in shades of blue and gold, sun-bleached meadows and golden plains shining under a wide blue sky. Exhibited at the Royal Academy in London in 1891 and awarded a
1899 (National Gallery of Australia) is an example of this aspect of his work. Long recognized as a masterpiece of Australian art, this luminous pastoral scene is both romantic and yet somehow strikingly realistic even to modern eyes.
1928, continues this theme, but reveals a majestic mountain that separates the blue sky, a white cloud on the horizon, from the golden grass foreground. Streeton’s mastery of his medium and lightness of brushwork are fully expressed in this painting, from the bright patches of color that form the purple mountains to the growth of reeds in the lower right, convincingly rendered with just a few subtle brushstrokes. . The composition leads the viewer in a gentle zigzag movement through the landscape, following the contours of the mountains through a medium-long strip of trees, joining the stream flowing into the foreground of the picture plane. Exhibited in Streeton’s solo exhibition at the Macquarie Gallery in Sydney in 1929, the painting evoked
From Streeton To Whiteley: $9 Million Of Art Heading To Auction
Critic declares that “There is no Australian painter at present who can surpass him in the representation of spacious landscapes…
(Art Gallery of New South Wales), 1926, depicting the dramatic landscape around the Grampians in western Victoria, an area Streeton visited in November of that year.
Although this view is wider and has a sweeping panorama, the palette is similar, as is the overall composition, which uses flat-topped mountains with dense trees, the ubiquitous windmill and dam, and a flock of grazing sheep as the backdrop for its pastoral scene. These images served another important purpose during these years, reinforcing a proud sense of national identity and a path to recovery for a country that had suffered many losses in the First World War. As Ian Burn wrote: “In the post-war period, artists returned to the subject of the Australian landscape, changing perceptions of its value and meaning…the war had imbued the landscape with new power and authority. .Masculine ideals of war were employed”. promote and affirm a concrete landscape of peace, the ideal of pastoral wealth and national potential.
2. For an analysis of these artists’ work in relation to French Impressionism, see Vaughan, G., ‘Some Reflections on Defining Australian Impressionism’, Lane, T.,
Streeton :: Art Gallery Nsw
4. Streeton painted three versions of this subject. The Art Gallery of New South Wales version is illustrated here. For the other two, see Eagle, M., Tags: arthur streeton paintings, arthur streeton prints, purple paintings, purple canvas prints, noon paintings, noon canvas prints, transparent paintings, transparent canvas prints, arthur paintings, arthur streeton canvas prints, street paintings, streeton canvas prints, purple noon transparent canvas prints, purple noon transparent canvas prints, purple noon transparent power framed prints, transparent noon power framed paintings purple
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The Centre Of The Empire, 1902
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Hawkesbury River By Sir Arthur Streeton Print Or Painting Reproduction From Cutler Miles
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