Top Lenses For Canon 70d

Top Lenses For Canon 70d – I’ve been making videos for about fifteen years. First using a good Vixia camera from Canon; Then in 2010 everything changed when I bought the EOS Rebel T2i and entered the world of DSLR video. I never looked back, eventually moving on to the EOS 60D and then the brilliant autofocus equipped 70D (seen in the photo above) and the Canon EOS 80D. I’ve recently been shooting Stark Insider videos and short film projects on the (amazing) Panasonic GH5.

TL;DR: If you’re going to buy one lens and one lens only, get the Sigma 18-35mm f/1.8 and call it any day. Note that you will need a stabilizer such as a gimbal or tripod as this Sigma does not have image stabilization. Otherwise, it’s a completely exceptional lens.

Top Lenses For Canon 70d

Lenses can be confusing. There are many options. Many types (telephoto, prime, macro, fisheye). and a seemingly endless array of manufacturers (Canon, Tamron, Sigma, Zeiss, etc.). One thing I learned: a lens designed primarily for photography may not necessarily be the best for video.

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Quick Image Stabilization Tip: If you are new to DSLR video, I highly recommend looking for a lens with image stabilization. On Canon lenses this feature is usually marked with “IS” in the model name. Without lens stabilization, you’ll get what’s called “micro-blur” when shooting handheld. You can use a tripod or some gear to fix the problem, but if you’re like me, you run and shoot documentary style…which brings me to this point… “best”?

Declaring these particular lenses the “best” for DSLR video is a bit of a misnomer. Let me admit it up front. There really is no best. It depends on how you plan to use the camera.

A narrative feature will have a script and a story. The scenes will be carefully constructed, blocked, lit. In this situation, prime lenses (those with fixed focal lengths) are usually best because they offer the sharpest image quality. On the other hand, if you’re shooting a documentary, you may not necessarily know where your subject will move, so a stabilized telephoto may work best.

For Stark Insider, we shoot food and wine, behind-the-scenes cinema and sit-down interview videos. Again, mostly run-n-gun. I don’t have time to set up scenes. We are often, if not always, limited in time. This means a flexible lens that works well in a variety of situations (also, I usually don’t have the luxury of being able to change lenses on the fly, so I usually have to do whatever).

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Canon Zoom Telephoto 75 300mm F/4.0 5.6 Iii Lens For T3 T3i T5 T5i 60d 70d Kit

Some of the best lenses on the market, like Canon’s “L” series, can cost thousands of dollars. Are they worth it?

Remember that a good lens can last a lifetime. Invest once in quality and you can enjoy it for decades to come, moving from one Canon body (or EF mount camera) to another. That doesn’t mean you have to spend a fortune. All of the lenses I use listed below are under $1,000 – yet the results can be perfectly acceptable, even sometimes amazing. Again, it comes down to goals. If you plan to project 4K in the cinema then you probably already rent Cine Primes or something similar. On the other hand, if you’re like me, you mostly deliver in 1080p or 4K for the web, and you don’t necessarily need a $25,000 lens to get decent results and watch viewers.

I confess. And I grab the hoop. Panasonic GH4! Sony a7 4K mirrorless cameras! Canon EOS R5! Wow! Wow! Wow!

Search YouTube and you will find endless comparisons between camera and lenses. cats. flowers. Structures. How great is it to test new gear or, better yet, watch someone else test new gear? Gonzo!

Best Lenses For Canon Eos 700d / Rebel T5i

I love all those things… but my advice is don’t get too fixated on all the fancy little things. Get out and shoot! exercise. Learn from your mistakes. Refine your style. Instead of looking for the latest comparison, check out some tutorials on composition, editing, and using the camera to create a visual story. I’m not quite there yet, really. I mess up in my early work, and mess up a lot in my latest work – so many mistakes. Just remember a lens, camera…or any gear for that matter will only take you so far. A great idea with a lot of creative spark can turn out great when photographed only on an iPad or iPhone, for example. After all, compelling stories are about capturing our attention, igniting our imagination and then engaging with a range of human emotions. No single lens, however sharp, can do that. That’s our job, as visual storytellers.

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Ok, so on to the equipment. I’ve listed these in the order I would recommend to someone building a lens collection from scratch. If you had all of these in your bag, I dare say, I think you’d be well equipped for just about anything (except the zombie apocalypse).

Excellent all round player. New to video and want to buy just one lens to get started? This is the one. Canon introduced autofocus to DSLRs last year with the revolutionary 70D. Dubbed “Dual Pixel”, you can tap the 70D’s LCD screen and the camera will automatically focus on the subject, even while it’s moving – just like a camera. It works brilliantly. This lens introduced by Canon in 2013 has an STM (stepping motor) which means it focuses with minimal to no noise. This is great, because with this lens you don’t have to worry about the camera microphone picking up unwanted sounds. I shot the latest Stark Insider videos using it and it never let me down. Note that this lens is best for well-lit or outdoor scenes.

It was shot using the 18-135mm (I used the Sigma mentioned below for some shots from San Francisco).

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Canon makes 3 50mm lenses. I like the cheapest one best. At only $110 it’s an amazing deal. For that you get quality glass that belies its price, which does wonders in low light thanks to its speed (1.8). IS is missing, so you’ll need Steady hand (very) or gear (preferred). However, I was able to shoot film footage handheld with this beauty. Thanks to the famous bokeh (out of focus area of ​​the frame) you may be surprised by the results. Craziest lens deal ever.

If you have the first two lenses I mentioned above, you’re off to a good start. Want to be more beautiful without breaking the bank? Try this rockinone. This is a “Cine” lens which in this case means the aperture is “removed” – so instead of adjusting the f-stop using the camera controls, you adjust it by turning the lens ring. Obviously, don’t buy this lens first, it takes practice. Everything in hand. So not ideal for run-n-gun. I still carry it with me when I have a few extra minutes, especially at night. I can call up a movie scene and the results are often spectacular. Note that most Canon DSLRs have an APS-C sensor, meaning they are not full-frame (like the Canon 5D Mk III). The culture factor is about 1.6 times. Which means this lens will effectively shoot over 130mm. I love it for shooting people at a distance. Again, that cinematic look!

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Sigma has set the camera world on fire with this new lens. Everything you could hear anyone talking about in 2013, especially DSLR video, was

… and its incredible sharpness and overall performance (competing with glass that costs two to three times more). Many even suggest that the reason this lens is so good is that it’s actually three items in one: 18, 24 and 35mm. In fact, that’s exactly what I’m referring to. With the three lenses above I’m covered for the 18-105mm image-stabilized zoom , I have a 50mm sharp and a film 85mm for artistic stuff. This Sigma gives me wider angles and excellent low light performance (F1.8). An instant classic.

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This is a new lens coming out this summer. I didn’t check it. But I’m adding it to the list because it’s (a) only $300; (b) it features STM which means it will focus noiselessly and integrates well with Canon camera bodies such as the 70D and T4i/T5i; and (c) should give beautiful wide-angle shots, especially outdoors. It has IS, so it should be suitable for manual operation. It’s not a fast lens (f4.5-5.6), so I would avoid shooting in low light. Note: Wait for reviews on this just to be sure before you buy.

With these 5 lenses in your bag, you’re pretty much ready for anything (Godzilla Invasion not included). The 18-105mm with STM is the perfect tool, ready for almost any occasion, easy to use and almost silent. It’s on my 70D about 90% of the time. If I want a film look, I’ll switch it

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